Thom Ross makes his point – very sharply – about the Black Sox via his art in the most publicized exhibit commemorating the 100th anniversary of sports’ biggest scandal.
All of Ross’ drawings of the celebrities, sanctimonious arbiters and shadowy characters involved in the attempting throwing of the 1919 World Series have angular, almost severe lines. He did not sketch rounded, softer edges. The style makes everyone seem taller.
In fact, Ross’ depiction of Kenesaw Mountain Landis required a rectangular display case. The judge who threw the book – and then some – at the Black Sox almost seems to grow out of his confines with the artist making him long, lean and spare.
A lot of the motivations of the 1919 White Sox who took gamblers money and those who judged them are still up for debate. But not Ross’ MO in his sketching style. He has put it all together in an exhibit, “The Black Sox – A Century Later,” running through July at the Beverly Arts Center on the southwest corner of Western Avenue and 111th Street in Chicago. Commuters from nearby I-57 on 111th go up a sudden incline at Longwood Drive to Chicago’s highest point to gain a special perspective into baseball’s lowest moment that has been made into books, movies and endless recrimination.
“It’s just who I am,” Ross said, appropriately dressed in 1919 garb, complete with straw skimmer, for the opening of the exhibit. “My theory is things like mythology and legend are inspired by historical stories and truth. But it gets warped (over the decades). That’s why these figures (with sharp edges) don’t look like photographs. In that mythic world, you appear like you do in a dream.
STORYCategory Baseball Under Glass Blog Tags #BlackSox 100, 1919 World Series, Black Sox, Buck Weaver, Chicago Cubs, Chicago White Sox, Eight Men Out, Fields of Dreams, Joe Jackson, Judge Landis, Pete Rose, Ray Schalk