You always treasure a native Chicagoan rising high in media as sometimes such a status seems a detriment to hiring in a “destination market” like the Second City.
Non-natives hiring non-natives gets expressed in the TV newsperson pronouncing Devon Avenue as “DEE-VON” or the baseball beat writer from Seattle having to spend his entire first season on the job educating himself about Cubs 101.
No worries about Ed Farmer, though. Tributes are pouring in after White Sox play-by-play man Farmer’s death the other day at 70, having fought the good fight against kidney disease for decades.
WGN may brand itself “Chicago’s Very Own” (“Chicago’s Own Television Station” back in the 1960s), but Farmio surely was our “Very Own.” I’d rather have someone not a classic, dulcet-toned announcer work at the top of the food chain if he can talk the city’s language, customs and history.
Farmio may have received brickbats from baseball-broadcast purists for a near-laconic, conversational on-air style, yet status as an authentic Chicagoan overrides these picky details. More specifically, a St. Rita man. The Southwest Side Catholic high school, home to so much athletic success this past century, is such a quintessential representation of the city, an amalgamation of neighborhoods and parishes from which residents drew their identities.
In remembering Farmio, Cubs color analyst Ron Coomer provided a glimpse into the academic and athletic culture of St. Rita that helped shape the former. Coomer, whose early years were spent living near Midway Airport, attended St. Rita his first two years before the family moved to southwest suburban Lockport.
How appropriate Tommy John and Nancy Faust get inducted into the Baseball Reliquary’s Shrine of the Eternals together in Pasadena, California on July 22.
Nancy Faust is set to be honored by Baseball Reliquary’s Shire of Eternals
Lefty John was the savvy White Sox starting rotation veteran for whom rookie team organist Faust played appropriate theme music in 1970, trying to provide some entertainment for a lost 106-defeat season.
And even 48 years later, Faust — who always ad-libbed theme songs for her players — came up with John-oriented songs that she likely would have played for the tiny crowds at her center-field organ at old Comiskey Park.
“I probably played ‘Big Bad John’ or the theme for ‘Tommy,'” said Faust, the latter for the then-recent rock opera from “The Who.” “Or maybe ‘Hang Down Your Head, Tom Dooley.'”
“I couldn’t be more honored to be on the same (induction) ceremony with Tommy John.”
The West Coast audience likely will associate John much more with his groundbreaking elbow ligament reconstruction surgery by Dr. Frank Jobe in 1974 instead of his original Sox tenure. But they’ll sure know about Faust, whom the Baseball Reliquary described as “the most famous ballpark organist in the last half century.”
Still blonde, perky, and youthful, the far north suburban Mundelein resident at nearly the same time originated the seventh-inning singalong with Harry Caray and the playing of “Na Na Na, Hey Hey, Kiss Them Good-Bye” when a Sox opposing pitcher was pulled from the game. Her 41 seasons at the organ at two ballparks, ranging from that horrible ’70 season to the World Series champions in 2005, was a true pinpoint of joy in Chicago baseball history
Dave “Baby” Cortez crafted “The Happy Organ,” the first instrumental to hit No. 1 on the Billboard Top 100 charts in 1959. But “Baby” still had nothing on Faust in full keyboard throttle.
Faust was so popular she was the No. 3 vote-getter in the Reliquary’s version of the Hall of Fame. The top three gain entry into the Shrine of the Eternals. John got 44 percent, the recently deceased Rusty Staub 29 percent, and Faust 26.5 percent. And how delicious was it that the cheery Faust beat out the second runner-up: Leo Durocher at 25 percent. At 23 years-old Faust was up-and-coming in 1970 while Durocher should have still been going at 64, his sclerotic managing eight miles north wasting a fine collection of future Hall of Fame Cubs.
Baseball honors should not be limited to just the Hall of Fame or post-season writers’ awards votes. The Baseball Reliquary is a nonprofit, educational organization https://www.baseballreliquary.org dedicated to fostering an appreciation of American art and culture through the context of baseball history. The West Coast-based Reliquary gladly accepts the donation of artworks and objects of historic content, provided their authenticity is well-documented.
A grant from the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission supports the Reliquary, which is affiliated with the Whittier College Institute for Baseball Studies. The Institute, the first humanities-based research center of its kind associated with a college or university in the United States, is a partnership between Pasadena-based Baseball Reliquary and Whittier College.
Thus honored by this prestigious academic institution, Faust joins some fellow White Sox eternals with whom she was associated in her long career.
John was traded at the 1971 winter meetings for Dick Allen, an enshrinee. She had no shortage of inspiring songs to play for the 1972 American League MVP. She would play “Jesus Christ Superstar” when Allen came to bat. Faust also played for fellow Eternal Minnie Minoso in his brief comebacks in 1976 and 1980. Ditto for Bo Jackson when he played for the Sox despite hip-replacement surgery in the early 1990s. Bill Veeck, who masterminded the Caray-Faust seventh-inning combo, is a member. Jimmy Piersall, Caray’s partner in their guerilla-theater-of-the-air presentation under Veeck, has been inducted.
The old upper-deck organ loft at Comiskey Park, where Nancy Faust could make eye contact with Harry Caray in the broadcast booth for their seventh-inning singalongs.
Amazingly, a second Veeck drew votes in this year’s balloting. Mike Veeck, Bill’s son and instigator of the famed Disco Demolition promotion-gone-bad, drew 17.5 percent of the votes.
Our own CBM Founder, Dr. David Fletcher was the winner in 2005 of the Baseball Reliquary’s Hilda Award for his work trying to get MLB to reinstate banned Sox third baseman Buck Weaver. Named in memory of legendary Brooklyn Dodgers baseball fan Hilda Chester, the Hilda Award was established in 2001 by the Baseball Reliquary to recognize distinguished service to the game by a baseball fan.
You wish Faust could play at the Pasadena ceremony. But at 70, she likely hits the keyboard only for her family these days. She is mostly retired, only playing for specific events that suit her. In 2006, she began cutting back her South Side schedule to day games only before leaving the Guaranteed Rate Field organ booth for good in 2010.
“I wanted to quit when I was still good,” she said. “I want the memories to be good. Forty-one years was a long time.”
Faust played Sunday home games for the Class-A Kane County Cougars for a couple of years, but even that gig is in the rear-view mirror as she wanted her Sundays free.
Now she travels around the Midwest and winters in Arizona with husband Joe Jenkins. She played at the Cactus League kickoff luncheon at a Phoenix hotel in February. At home in Lake County, the animal-lover tends to beloved full-sized female donkey Mandy and miniature donkey Gigi on the couple’s five-acre spread.
It’s always great to be remembered,” Faust said. “You like to think you made a difference in people’s lives. I am most humbled and pinch myself to have had the career I did. I feel fortunate my life took me in the direction it did. If I had any notoriety, it’s because I’m a good musician. Hopefully my fingers spoke for themselves.
Ron Kittle the 1983 American League Rookie of the Year. Ron Kittle the strongman who belted rooftop homers at old Comiskey Park. Ron Kittle the ultimate self-deprecating White Sox ambassador.
All now pale thanks to social media and his own ongoing diary for Ron Kittle, the devoted “parent” to his beloved “Harley Pooch” soft-coated wheaten terrier. Anything that preceded him in his rise to the Sox from Wirt High School in Gary, Ind. now must take a back seat to the story of the eternal boy and his dog.
Harley Pooch and devoted dad Ron Kittle at their favorite ballpark.
The scores of followers of Kittle’s Facebook site got to love the furry Harley, not Kittle’s foil in any way, but the star of the show. By the time Kittle’s better half appeared in most of his posts, he was slowed from an old injury in which he jumped up for joy one day and landed awkwardly on his back. But as winter grimly hung on in April, Harley Pooch’s health began to fail. His back legs were paralyzed, he lost his appetite and was incontinent.
Any veteran dog parent is initially in denial and tries veterinary intervention. Yet in the back of one’s mind the outcome looms. The process to end a pet’s life never gets easier, and one feels like a jerk even though it’s the right thing to do. So one Monday Kittle relayed the sad news on Facebook he had to terminate Harley’s suffering, though only after some two-way chatting as only a boy and his dog could do.
Kittle said he had his “talk” with Harley. In turn, he surely tapped into the “aura” — not proven by science quite yet — that perceptive pet owners know exists involving humans and dogs. After all, aren’t dogs employed to sniff out cancer and warn of coming epileptic seizures? Taken further, just because dogs can’t speak human language does not mean they can’t communicate clearly. Kittle got the message from Harley it was all right to let him go.
Before and after the tough call, Kittle got the word that Harley had an impact on everyone who interacted with Kittle. He was the people’s dog.
“I got well over 5,000 comments and messages,” said Kittle. “I got back to everybody.”